Electrophysiological Correlates of Vocal Emotional Processing in Musicians and Non-Musicians.

Musicians outperform non-musicians in vocal emotion recognition, but the underlying mechanisms are still debated. Behavioral measures highlight the importance of auditory sensitivity towards emotional voice cues. However, it remains unclear whether and how this group difference is reflected at the brain level. Here, we compared event-related potentials (ERPs) to acoustically manipulated voices between musicians (n = 39) and non-musicians (n = 39). We used parameter-specific voice morphing to create and present vocal stimuli that conveyed happiness, fear, pleasure, or sadness, either in all acoustic cues or selectively in either pitch contour (F0) or timbre. Although the fronto-central P200 (150-250 ms) and N400 (300-500 ms) components were modulated by pitch and timbre, differences between musicians and non-musicians appeared only for a centro-parietal late positive potential (500-1000 ms). Thus, this study does not support an early auditory specialization in musicians but suggests instead that musicality affects the manner in which listeners use acoustic voice cues during later, controlled aspects of emotion evaluation.

Musicality - Tuned to the melody of vocal emotions.

Musicians outperform non-musicians in vocal emotion perception, likely because of increased sensitivity to acoustic cues, such as fundamental frequency (F0) and timbre. Yet, how musicians make use of these acoustic cues to perceive emotions, and how they might differ from non-musicians, is unclear. To address these points, we created vocal stimuli that conveyed happiness, fear, pleasure or sadness, either in all acoustic cues, or selectively in either F0 or timbre only. We then compared vocal emotion perception performance between professional/semi-professional musicians (N = 39) and non-musicians (N = 38), all socialized in Western music culture. Compared to non-musicians, musicians classified vocal emotions more accurately. This advantage was seen in the full and F0-modulated conditions, but was absent in the timbre-modulated condition indicating that musicians excel at perceiving the melody (F0), but not the timbre of vocal emotions. Further, F0 seemed more important than timbre for the recognition of all emotional categories. Additional exploratory analyses revealed a link between time-varying F0 perception in music and voices that was independent of musical training. Together, these findings suggest that musicians are particularly tuned to the melody of vocal emotions, presumably due to a natural predisposition to exploit melodic patterns.

What are C-tactile afferents and how do they relate to "affective touch"?

Since their initial discovery in cats, low-threshold C-fiber mechanoreceptors have become a central interest of scientists studying the affective aspects of touch. Their pursuit in humans, here termed C-tactile (CT) afferents, has led to the establishment of a research field referred to as "affective touch", which is differentiated from "discriminative touch". Presently, we review these developments based on an automated semantic analysis of more than 1000 published abstracts as well as empirical evidence and the solicited opinions of leading experts in the field. Our review provides a historical perspective and update of CT research, it reflects on the meaning of "affective touch", and discusses how current insights challenge established views on the relation between CTs and affective touch. We conclude that CTs support gentle, affective touch, but that not every affective touch experience relies on CTs or must necessarily be pleasant. Moreover, we speculate that currently underappreciated aspects of CT signaling will prove relevant for the manner in which these unique fibers support how humans connect both physically and emotionally.

What Makes Touch Comfortable? An Examination of Touch Giving and Receiving in Two Cultures.

This study examined how touch role and culture shape affective touch experiences. Germans (N = 130) and Chinese (N = 130) were surveyed once as toucher and once as touchee. For different touch actions, they (a) provided free-text descriptions of what prompts touch, (b) indicated with whom touch feels comfortable, and (c) highlighted areas of touch comfort on a body outline. Overall, touch was prompted by affectionate feelings, was more comfortable with more closely bonded individuals, and when directed at the upper arms, shoulders, and upper back. Touch role mattered for the experiences prompting touch in that touchees felt less positive than touchers. Culture differentiated touch comfort topographies. Compared with Chinese, Germans felt more comfortable with more intimate touch to the torso and upper back and less comfortable with more public touch to the hands. Notably, however, examining touch role and culture revealed more overlap than divergence, ensuring mutual comfort as individuals physically connect.

Velocity-tuning of somatosensory EEG predicts the pleasantness of gentle caress.

Numerous studies have established an inverted u-shaped effect between the velocity of a caress and its pleasantness and linked this effect to the C-tactile (CT) system considered central for physical and mental health. This study probed whether cortical somatosensory representations predict and explain the inverted u-shaped effect and addressed associated individual differences. Study participants (N = 90) rated the pleasantness of stroking at varying velocities while their electroencephalogram was being recorded. An analysis across all participants replicated a preference for intermediate velocities, while a cluster analysis discriminated individuals who preferred slow (N = 43) from those who preferred fast stroking (N = 47). In both groups, intermediate velocities maximized amplitudes of a somatosensory event-related potential referred to as sN400, in line with the average rating effect. By contrast, group differences emerged in how velocity modulated a late positive potential (LPP) and Rolandic power. Notably, both the sN400 and the velocity-tuning of LPP and Rolandic power predicted the participants' pleasantness ratings. Participants were more likely to prefer slow over fast stroking the better their LPP and Rolandic power differentiated between different velocities. Together, these results shed light on the complexity of tactile affect. They corroborate an average preference for intermediate velocities that relates to largely shared effects of CT-targeted touch on the activity of somatosensory cortex. Additionally, they identify individual differences as a function of how accurately somatosensory cortex represents the velocity of peripheral input and suggest these differences are relevant for the extent to which individuals pursue beneficial, CT-targeted touch.

Stroking trajectory shapes velocity effects on pleasantness and other touch percepts.

Research has identified an inverted u-shaped relationship between the pleasantness of arm stroking and stroking velocity. However, the generalizability of this relationship is questionable as much of the work relied on the rotary tactile stimulator (RTS), which strokes skin with force varying along an arc and confounds stimulus velocity with duration. We explored how these parameters shape the subjective evaluation of touch. In Study 1, one group of participants was stroked by the RTS, while two other groups were stroked by a new robot capable of different stroking trajectories. Participants were stroked at five velocities and rated pleasantness, humanness, intensity, and roughness. In Study 2, participants were stroked by the new robot imitating the trajectory of the RTS exactly, imitating it while controlling stimulus duration, or moving linearly or ovally with both constant force and duration. Participants rated pleasantness and humanness. Although stroke velocity was related to both pleasantness and humanness in an inverted u-shaped manner, stimulus trajectory modulated this relationship and the association between velocity and the other ratings. Together, our results clearly link stroking velocity to the perception of touch but highlight that this relationship is shaped by other physical parameters including touch duration and spatial pattern. (PsycInfo Database Record (c) 2023 APA, all rights reserved).

Contributions of fundamental frequency and timbre to vocal emotion perception and their electrophysiological correlates.

Our ability to infer a speaker's emotional state depends on the processing of acoustic parameters such as fundamental frequency (F0) and timbre. Yet, how these parameters are processed and integrated to inform emotion perception remains largely unknown. Here we pursued this issue using a novel parameter-specific voice morphing technique to create stimuli with emotion modulations in only F0 or only timbre. We used these stimuli together with fully modulated vocal stimuli in an event-related potential (ERP) study in which participants listened to and identified stimulus emotion. ERPs (P200 and N400) and behavioral data converged in showing that both F0 and timbre support emotion processing but do so differently for different emotions: Whereas F0 was most relevant for responses to happy, fearful and sad voices, timbre was most relevant for responses to voices expressing pleasure. Together, these findings offer original insights into the relative significance of different acoustic parameters for early neuronal representations of speaker emotion and show that such representations are predictive of subsequent evaluative judgments.

Understanding sex differences in affective touch: Sensory pleasantness, social comfort, and precursive experiences.

Although previous research revealed sex differences in affective touch, the implicated processes and the manner in which men and women differ have been left uncertain. Here we addressed this issue in two studies examining sensory pleasure, interpersonal comfort, and touch motivators. Study 1 comprised a series of lab-based experiments in which a robot stroked 214 participants (half female) at five different velocities modulating the activity of C-tactile afferents thought to support tactile pleasantness. Average pleasantness ratings followed velocity with the typical inverted u-shape similarly in both sexes. In Study 2, 260 participants (half female) completed an online survey. Here, women were more likely than men to express touch comfort with less familiar or unknown individuals, had a greater preference for touch with other women, and felt more comfortable giving and receiving touch to the forearm. Additionally, when describing how their own experiences might motivate others to touch them affectively, women produced more negative descriptions than men. Together, these results show that, while the sexes compare in a touch's sensory pleasantness, they differ in their preceding affective experiences and how they value touch at a higher-order social level. This agrees with extant research on negative affect and stress and suggests that affective touch may be a more relevant coping mechanism for women than for men.

Gentle stroking elicits somatosensory ERP that differentiates between hairy and glabrous skin.

Here we asked whether, similar to visual and auditory event-related potentials (ERPs), somatosensory ERPs reflect affect. Participants were stroked on hairy or glabrous skin at five stroking velocities (0.5, 1, 3, 10 and 20 cm/s). For stroking of hairy skin, pleasantness ratings related to velocity in an inverted u-shaped manner. ERPs showed a negativity at 400 ms following touch onset over somatosensory cortex contra-lateral to the stimulation site. This negativity, referred to as sN400, was larger for intermediate than for faster and slower velocities and positively predicted pleasantness ratings. For stroking of glabrous skin, pleasantness showed again an inverted u-shaped relation with velocity and, additionally, increased linearly with faster stroking. The sN400 revealed no quadratic effect and instead was larger for faster velocities. Its amplitude failed to significantly predict pleasantness. In sum, as was reported for other senses, a touch's affective value modulates the somatosensory ERP. Notably, however, this ERP and associated subjective pleasantness dissociate between hairy and glabrous skin underscoring functional differences between the skin with which we typically receive touch and the skin with which we typically reach out to touch.

More than one kind: Different sensory signatures and functions divide affectionate touch.

The study of affectionate touch centers on gentle stroking. Yet friendly physical contact entails other actions, such as embracing, holding, kissing, leaning, petting, squeezing, or tickling. Here, we probed whether these actions are redundant or can be meaningfully differentiated by asking participants (N = 161) to complete a few tasks for each action. Coloring of body maps emphasized touching of upper body hairy and glabrous skin, contrary to the notion that only the former is relevant in affectionate touch. A linear discriminant analysis categorized colorings with 91% accuracy, showing that each touch action has a unique somatosensory topography. Automated text analysis of open-ended situational descriptions revealed touch-specific affective contexts that concerned one's own or the other's feelings and could be both positive and negative. Last, the touch actions differed in their self-reported comfort and frequency as a function of the closeness of interaction partners. Thus, rather than being redundant, affectionate touch actions are highly differentiated in terms of their somatosensory and socioaffective processes. Moreover, their differential patterns suggest that they each play a unique regulatory role for the toucher, the touchee, and their relationship. (PsycInfo Database Record (c) 2021 APA, all rights reserved).

Being 'in sync'-is interactional synchrony the key to understanding the social brain?

The past couple of decades produced a surge of interest in interaction synchrony. Moving from the study of behavioral coordination to investigating the coordination of psychophysiological and brain activity, relevant research has tackled a broad range of interactional settings with a multitude of measurement and analysis tools. This method diversity produced a host of interesting results converging on the fact that individuals engaged in social exchange tend to temporally align external as well as internal processes. Moreover, there appears to be a reciprocal relationship between the individuals' affective bond and the extent of synchronization, which together benefit interaction outcomes. Notably, however, the current breadth of study approaches creates challenges for the field, including how to compare findings and how to develop a theoretical framework that unites and directs ongoing research efforts. More concerted efforts are called for to achieve the conceptual and methodological clarity needed to answer core questions and enabling a balanced pursuit of both synchronous and asynchronous processes.

Musical rhythm effects on visual attention are non-rhythmical: evidence against metrical entrainment.

The idea that external rhythms synchronize attention cross-modally has attracted much interest and scientific inquiry. Yet, whether associated attentional modulations are indeed rhythmical in that they spring from and map onto an underlying meter has not been clearly established. Here we tested this idea while addressing the shortcomings of previous work associated with confounding (i) metricality and regularity, (ii) rhythmic and temporal expectations or (iii) global and local temporal effects. We designed sound sequences that varied orthogonally (high/low) in metricality and regularity and presented them as task-irrelevant auditory background in four separate blocks. The participants' task was to detect rare visual targets occurring at a silent metrically aligned or misaligned temporal position. We found that target timing was irrelevant for reaction times and visual event-related potentials. High background regularity and to a lesser extent metricality facilitated target processing across metrically aligned and misaligned positions. Additionally, high regularity modulated auditory background frequencies in the EEG recorded over occipital cortex. We conclude that external rhythms, rather than synchronizing attention cross-modally, confer general, nontemporal benefits. Their predictability conserves processing resources that then benefit stimulus representations in other modalities.

Interactional synchrony: signals, mechanisms and benefits.

Many group-living animals, humans included, occasionally synchronize their behavior with that of conspecifics. Social psychology and neuroscience have attempted to explain this phenomenon. Here we sought to integrate results around three themes: the stimuli, the mechanisms and the benefits of interactional synchrony. As regards stimuli, we asked what characteristics, apart from temporal regularity, prompt synchronization and found that stimulus modality and complexity are important. The high temporal resolution of the auditory system and the relevance of socio-emotional information endow auditory, multimodal, emotional and somewhat variable and adaptive sequences with particular synchronizing power. Looking at the mechanisms revealed that traditional perspectives emphasizing beat-based representations of others' signals conflict with more recent work investigating the perception of temporal regularity. Timing processes supported by striato-cortical loops represent any kind of repetitive interval sequence fairly automatically. Additionally, socio-emotional processes supported by posterior superior temporal cortex help endow such sequences with value motivating the extent of synchronizing. Synchronizing benefits arise from an increased predictability of incoming signals and include many positive outcomes ranging from basic information processing at the individual level to the bonding of dyads and larger groups.

3D Hand-Motion Tracking and Bottom-Up Classification Sheds Light on the Physical Properties of Gentle Stroking.

Despite much research on the perception of gentle stroking, its motion characteristics and modulation by social intent remain largely unknown. Here we addressed this situation by asking volunteers to gently stroke a dog, the arm of their romantic partner, their own arm, or a foam arm in a pleasant manner, as if to provide comfort, or as fast/slow as possible. Stroking motion was tracked with a sensor attached to the back of the hand and processed using MPAL, a new 3D motion analysis tool. Statistical testing was both hypothesis-driven and exploratory. Hypothesis-driven tests revealed comparable stroking velocities for social (dog, partner) and non-social touch targets, but an overall slower velocity for pleasant and slow as compared with fast stroking. Additionally, stroking a social target or with a pleasant intent entailed less motion along the target's front/back axis, increased motion along the left/right axis and increased temporal variability between main strokes. An exploratory linear discriminant analysis on 26 motion features revealed that stroking a social target was more distinct than stroking in a pleasant manner and that the former, and to a lesser extent the latter, were strongly associated with features indexing spatio-temporal variability. Thus, touchers socially tune their stroking motion by reducing its predictability, which may make the touchee's experiences more pleasurable by facilitating the differentiation between self- and other touch. Together, our results offer useful directions for future research on gentle stroking and emphasize the need to consider the natural physical properties of touch.

Rhythmic timing in aging adults: On the role of cognitive functioning and structural brain integrity.

Here we asked whether impaired timing in older adults results from an aging clock or a more general brain and cognitive decline. Healthy aging adults (N = 70, aged 62-83 years) tapped to the beat of a periodic and a syncopated rhythm. Analyses focused on performance differences between rhythms (periodic-syncopated), which reduced the impact of timing unrelated processes. Apart from tapping, participants completed a cognitive assessment and neuroimaging of gray matter volume (GMV) and fractional anisotropy (FA) globally as well as regionally (cortical: auditory, premotor, paracentral; subcortical: putamen, caudate, cerebellum). The rhythm difference showed no significant age effects for tapping asynchrony and an age-related decrease for tapping consistency. Additionally, age reduced cognitive functioning, global GMV/FA, and, beyond this, auditory GMV. Irrespective of age, the rhythm difference in tapping asynchrony was linked, not to GMV, but to caudal, premotor, and paracentral FA after controlling for global FA. Tapping consistency was associated with global rather than regional brain integrity. Additionally, age differences in tapping consistency were mediated by a decline in global brain integrity as well as cognitive functioning. Together these results agree with previous proposals differentiating between timing accuracy and reliability and suggest that aging largely preserves the former but not the latter. Whereas timing accuracy may depend on an internal clock supported by robust striatocortical circuitry, timing reliability may depend on global brain and cognitive functioning, which show a pronounced age-related decline. (PsycInfo Database Record (c) 2020 APA, all rights reserved).

Angry, old, male - and trustworthy? How expressive and person voice characteristics shape listener trust.

This study examined how trustworthiness impressions depend on vocal expressive and person characteristics and how their dependence may be explained by acoustical profiles. Sentences spoken in a range of emotional and conversational expressions by 20 speakers differing in age and sex were presented to 80 age and sex matched listeners who rated speaker trustworthiness. Positive speaker valence but not arousal consistently predicted greater perceived trustworthiness. Additionally, voices from younger as compared with older and female as compared with male speakers were judged more trustworthy. Acoustic analysis highlighted several parameters as relevant for being perceived as trustworthy (i.e., accelerated tempo, low harmonic-to-noise ratio, more shimmer, low fundamental frequency, more jitter, large intensity range) and showed that effects partially overlapped with those for perceived speaker affect, age, but not sex. Specifically, a fast speech rate and a lower harmonic-to-noise ratio differentiated trustworthy from untrustworthy, positive from negative, and younger from older voices. Male and female voices differed in other ways. Together, these results show that a speaker's expressive as well as person characteristics shape trustworthiness impressions and that their effect likely results from a combination of low-level perceptual and higher-order conceptual processes.

The human "feel" of touch contributes to its perceived pleasantness.

This study explored whether a human-like feel of touch biases perceived pleasantness and whether such a bias depends on top-down cognitive and/or bottom-up sensory processes. In 2 experiments, 11 materials were stroked across the forearm at different velocities (bottom-up) and participants rated tactile pleasantness and humanness. Additionally, in Experiment 1, participants identified the materials (top-down), whereas in Experiment 2, they rated each material with respect to its somatosensory properties (bottom-up). Stroking felt most pleasant at velocities optimal for the stimulation of CT-afferents, a mechanosensory nerve hypothesized to underpin affective touch. A corresponding effect on perceived humanness was significant in Experiment 1 and marginal in Experiment 2. Whereas material identification was unrelated to both pleasantness and humanness, we observed a robust relation with the somatosensory properties. Materials perceived as smooth, slippery, and soft were also pleasant. A corresponding effect on perceived humanness was significant for the first somatosensory property only. Humanness positively predicted pleasantness and neither top-down nor bottom-up factors altered this relationship. Thus, perceiving gentle touch as human appears to promote pleasure possibly because this serves to reinforce interpersonal contact as a means for creating and maintaining social bonds. (PsycINFO Database Record (c) 2020 APA, all rights reserved).

When the rhythm disappears and the mind keeps dancing: sustained effects of attentional entrainment.

Research has demonstrated that the human cognitive system allocates attention most efficiently to a stimulus that occurs in synchrony with an established rhythmic background. However, our environment is dynamic and constantly changing. What happens when rhythms to which our cognitive system adapted disappear? We addressed this question using a visual categorization task comprising emotional and neutral faces. The task was split into three blocks of which the first and the last were completed in silence. The second block was accompanied by an acoustic background rhythm that, for one group of participants, was synchronous with face presentations, and for another group was asynchronous. Irrespective of group, performance improved with background stimulation. Importantly, improved performance extended into the third silent block for the synchronous, but not for the asynchronous group. These data suggest that attentional entrainment resulting from rhythmic environmental regularities disintegrates only gradually after the regularities disappear.

Vocal threat enhances visual perception as a function of attention and sex.

This pre-registered event-related potential study explored how vocal emotions shape visual perception as a function of attention and listener sex. Visual task displays occurred in silence or with a neutral or an angry voice. Voices were task-irrelevant in a single-task block, but had to be categorized by speaker sex in a dual-task block. In the single task, angry voices increased the occipital N2 component relative to neutral voices in women, but not men. In the dual task, angry voices relative to neutral voices increased occipital N1 and N2 components, as well as accuracy, in women and marginally decreased accuracy in men. Thus, in women, vocal anger produced a strong, multifaceted visual enhancement comprising attention-dependent and attention-independent processes, whereas in men, it produced a small, behavior-focused visual processing impairment that was strictly attention-dependent. In sum, these data indicate that attention and listener sex critically modulate whether and how vocal emotions shape visual perception.